Art in Tibet, Mongolia, and Vietnam is deeply rooted in the region’s unique history, culture, and religion. While these traditions share influences from neighboring regions such as China and India, they each maintain distinct identities shaped by local beliefs and aesthetics.

Bai Miao, meaning “plain drawing” or “line drawing,” is a traditional Chinese painting technique that emphasizes expressive lines rather than color or shading. It is one of the most refined and minimalist approaches in Chinese art, focusing on the purity of brushstrokes to convey depth, form, and emotion.

Chinese and Japanese calligraphy are deeply connected due to their shared roots, but they developed distinct characteristics over time, influenced by cultural, linguistic, and philosophical differences.

Calligraphy is one of the most revered and enduring art forms in East Asia, encompassing the traditions of China, Japan, and Korea. Its history, styles, and philosophies reflect the cultural and aesthetic values of the region, merging visual art with language and spirituality.